A dangerous statement.

Censorship is a distracting issue with which we should not even have to worry. Near the community in which I grew up in Norther Illinois, seventeen-year-olds cannot legally buy the Rage Against the Machine record. I wonder how much of it has to do with the people in power not wanting the virginal ears of seventeen-year-olds to hear the word (expletive) and how much they do not want them to hear, “Landlords and power whores on my people they took turns,” which is far more dangerous of a statement.

–Tom Morello (Rage Against the Machine guitarist and Harvard graduate)
From Rock Stars on God by Doug Van Pelt

“Which is far more dangerous of a statement.”

It really makes me wonder, how often do Christians get so caught up in specific words that they miss the whole point? And why are many of them more offended by the Da Vinci Dode or a synonym for poop than they are by the fact that thousands of nonbelievers in Africa are currently dying of hunger and AIDS?

Lets look at a different type of scenario. Take one of my all-time favorite Creed songs, What’s this life for. Here’s the basic jist of it:

Hurray for a child
That makes it through
If there’s any way
Because the answer lies in you
They’re laid to rest
Before they know just what to do
Their souls are lost
Because they could never find
What’s this life for
I see your soul, it’s kind of gray
I see your heart, you look away
You see my wrist, I know your pain
I know your purpose on your plane
Don’t say a last prayer
Because you could never find
What’s this life for
But they ain’t here anymore
Don’t have to settle no goddamn score
Cause we all live
Under the reign of one king

There have been whole debates on this song, some even going as far as to question Stapp’s faith (google it). But that’s just messed up. I mean, were they even listening?

This song was written after a friend of both Scott Stapp and Mark Tremonti committed suicide. It’s been said (though I haven’t been able to verify it) that the last thing he said before killing himself was, “Now who’s gonna settle the goddamn score?”

This song responds to that by saying, “Don’t have to settle no goddamn score, ’cause we all live under the reign of one king.” It morns the loss of “souls” that acted before realizing exactly “what’s this life for.” For me, the whole point of this song is that the damn score was settled on the cross 2000 years ago.

Honestly, that’s more profound than most of the Christian music I hear on the radio. With or without the “swearing,” it’s also much more dangerous–but that’s a good thing.

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